Unfortunately, people living with disabilities have few opportunities available to them in mainstream careers. It’s even harder for them to make it in the world of the arts. This is a fact that Rob Lentz and two of his colleagues realized years ago. They decided to do something about it by starting Project Onward in 2004.
“The project was founded to give artists in Chicago with developmental and mental disabilities an opportunity to showcase and sell their art,” says Rob. This first year of operation was a success for Project Onward as they took on eight distinguished artists who drew attention from the Chicago Cultural Center. Under Rob’s leadership and the growing dedicated team, Project Onward became a resource available to the entire city.
All seemed to be going well until disaster struck in 2013. Drastic budget cuts meant that the ten year old program could no longer receive financial support from the government. As a result, artists and staff of Project Onward found the only option for staying afloat was by selling art on the streets.
While many would be tempted to give up at this point, Rob saw this not as the end of a ten year journey but a new beginning. “It was a bump in the road,” says Rob. “After ten years of hard work, we weren’t going to give up that easily.”
Due to Rob’s resilience, Project Onward was able to move into Bridgeport Art Center later that year. Currently, this is the non-profit’s studio and gallery where more than 58 artists ranging in age from 20s to 70s showcase their talent. The artists hail from more than 30 of Chicago’s neighborhoods and each contribute unique artistic styles to the gallery.
Project Onward focuses on activating the potential of the artists it takes on. The program focuses on enhancing skills, interests and abilities of the artists while providing them with the tools they need to flourish as professionals. Furthermore, the artists find a safe and supportive community to blossom.
It is important not to confuse this program with art therapy. Rather, the program is focused on providing the artists with support and finding professional opportunities for them. This is one of the many responsibilities that Rob takes on with his staff.
For example, Pedro Basantes, 30, joined the program in 2006 as an active street artist whose style is greatly influenced by photorealism. He currently also works with groups on mural projects and graffiti on special commission. As well, William Douglas, 48, joined the program in 2014. His work involves the use of various mediums. “I never received any ‘theory’,” he says of his work. “I simply use my instinct and intuition.” Fernando Ramirez, 43, also joined the program in 2006 and has completed many art projects on commission for dignitaries from around the world.
